The Needles
August 2003
On a Sunday afternoon, I find
myself without any plans, feeling bored and restless, so I call Atom the
Archaeologist and invite myself over to his apartment. He reluctantly agrees.
When I arrive, his roommates are watching football on TV.
"It's too fucking noisy
here," he says with a sour face. "Let's go for a drive."
We hop in his pickup truck and he
drives aimlessly through the back roads behind his apartment. Even though he
lives in the city, it's a somewhat wooded area with nice views.
"Sorry the radio is
busted," he says as we start out, driving in silence. "I'm too hard
on my things."
I don't say anything. It seems
like a strange statement to me. How can you not want to take care of your
things? I suppose I'm far too attached to my possessions, though. But if you
know this about yourself, why wouldn't you at least try to keep from breaking
things? Anyway this bit of personal insight is a reminder that I know almost
nothing about Atom. Even though we've been hooking up regularly, he's stayed
distant.
"So I'm moving to Hawaii in a
few weeks," he says out of nowhere.
"What? So suddenly?
Why?"
"Freelance archaeology
doesn't pay for shit here. I'm almost thirty-two, you know? I've gotta start
getting my shit together. I found a better paying dig on Maui, so I'm going
there."
"Oh." I feel
unexpectedly bad about this news. "I wish you had told me sooner."
"Why? What does it
matter?"
"Because I like you, you
jerk! I'm going to miss you!"
"Come on," he sneers.
"You're just some chick from The
Onion."
I don't say anything, but just
sort of stare at him with my mouth open. I'm a little slow on the uptake, so it
takes me a good long while to fully understand what Atom means by this. We met
through a personal ad I posted on Nerve.com, a sex and kink positive website
that I trusted to deliver like-minded guys. But I forgot that the personal ad
service for Nerve is shared among a bunch of different websites, including The Onion. When my ad was chosen as an
ad of the week, my photo and tag line appeared on the front page of The Onion, alongside jokey headlines
about President Bush and Area Man. I had no idea Atom found my ad through The Onion. No wonder he never took me
seriously.
I'm so committed to my cool girl
act with him that I don't say anything about how surprised and hurt I am by his
comment. I can't think of anything much to say at all. I've known all along
that this was a sex-only relationship. It was stupid of me to expect anything
more of him.
We chat awkwardly about Hawaii
until we circle around back to his apartment. Anyway after all that he's
definitely not getting any. I say goodbye, get in my own car and drive home,
feeling even more lonely and frustrated than before. Each time I see Atom I
feel like it's the last, but this time I'm really sure I won't hear from him
again. At least I don't plan to contact him again. What the fuck, man? Why does
everything have to be so hard?
I get a message from Warren saying
that he's back from the wedding in Edmonton, Frank has delivered the human cage
to his house and do I want to lock him in it next weekend? I have rehearsal
Friday night and all day Sunday so I can't do it the whole weekend like he
envisioned, but I offer to come over Saturday afternoon to Sunday morning. He's
satisfied with that arrangement.
When I arrive at Warren's house
with my overnight bag, I don't get into character with him right away. We need
to establish some ground rules first.
The cage is set up in the dining
room, next to the table and under the giant porno print. That fucking print,
man, every time I see it I realize more and more how gross and tacky it is.
The cage is a huge hulking thing, about three feet high and
six feet long, with thick steel bars. Warren shows me how to work the door
mechanism, which releases at the top. It's pretty easy to open from the
outside, but can't be reached from the inside. We agree on a safe word, and
timing of bathroom breaks because no way am I cleaning anything up.
There's something else on my mind
too, that I want to clear up before we start. "Do you have a
girlfriend?" I ask.
"No," he replies
expressionlessly.
"Ok, but Marty said you went
to Edmonton with some woman named Keiko."
"She's not my
girlfriend."
"Are you sure? Does she think of herself as your
girlfriend?"
"Nah, we're just
friends," he insists.
I'm not asking because I'm
jealous. I just don't want to get in the middle of any stupid drama. I haven't
met this Keiko person, but Marty seemed pretty sure they are an item. Warren
says they're not though so I'm not sure what else I can do short of calling her
out of the blue, which would be weird. Anyway I'm here now. I let it go and
order him to get in the cage.
Warren strips down to his
underwear, then crawls inside the cage. I lock the door with a resounding
crash.
It's so exciting to see him in
there. He wants to get out but he can't. For a while, I just tease him with
dirty talk and reminding him how he can't get out unless I allow it, which I
won't. I wander into the kitchen, still in sight of the cage, and help myself
to some ice cream from the freezer, and eat it in front of him. I tell him he's
not allowed to even speak without permission.
When I've finished eating, I pour
him some dry cereal in a bowl then set it down inside the cage and make him eat
it like a dog. He really gets into it, and I scold him for making a mess.
Then I do a sexy striptease,
touching myself all over and reminding him of how he wants to touch me but
can't. I raid his toy collection and find a high end vibrator coated with soft
silicone and a little fluttery bit at the end that flicks around enticingly
when I turn it on. I lie down on the floor right in front of the cage and use the
vibrator for a good long time. He watches me with huge, hungry eyes. I tell him
he's not allowed to touch himself until after I've finished.
At this point, as fun as it all
is, I've sort of run out of ideas. That's the thing about SM, you can build up
a scenario in your mind and kind of live in that moment eternally in fantasy,
but in reality it can be tricky to make the moment last. Either you're too
excited and come too soon, then it's over, or you have to keep coming up with
new ideas to drag things out.
I decide to take an extended
break. In our pre-scene negotiation, Warren said I don't have to entertain him
every minute, or even stay in the room with him the whole time. I get the
feeling he would be just as happy being locked in the cage on his own the whole
weekend, without anyone else around, but it's not safe. What if there were a
fire, or some other emergency? I'm mainly there as a kind of babysitter.
So like any other babysitter, I
order a pizza and spend the rest of the evening watching TV in the living room.
And none of that Terminator crap
either. I find a good slow moving British period drama, the kind of thing he
would hate, and settle in to enjoy it.
At the agreed-upon times, I let
him out for a bathroom break. Later, I go back to the dining room to tease him
some more, parading around naked in front of him and making him tell me how
much he wishes he could touch me. Then I brush my teeth and go to bed.
It feels a bit weird to be
sleeping alone in his bed, but it's bigger and more comfortable than my own bed
at home, so I try to just relax and enjoy it. The next morning, still in my
pajamas, I go back into the dining room to check on Warren. He's awake but
looking a little dazed. I open the cage and order him to the bathroom. He
stumbles back a few minutes later, then sits down at the dining room table. I
guess we're finished now.
"Well?" I ask. "Was
it all you hoped for?"
He looks at me with a slight
smile, but his face is kind of glowing. "It was awesome, thank you."
This is the most emotion I've ever seen from him. It's strangely sweet.
As much as I enjoy playing with
Warren, he's got nothing on The Mantis. With rehearsals increasing, I haven't had
time to see him for a few weeks, but we still maintain an overheated email
correspondence. He tells me what a pathetic worm he is, and I remind him how
unworthy he is to even kiss the feet of the Cruel Mistress. I invent ways for
him to punish himself, to keep him in line until he sees me in person again.
I order you to slam your fingers in a drawer, I write to him.
Yes Mistress, the wretched
Mantis will obey, he writes back.
The next day he sends me an
update: Oh my god, that hurt like hell.
I laugh to myself as I read his
email in my basement apartment late at night.
I know, I accidentally slammed my fingers in a drawer a few days ago
while I was getting some clothing out, and I couldn't believe how much it hurt.
That's where I got the idea.
That was a good one, he replies. So I was wondering if we could try something new next time. I've always
wanted to try needle play. What do you think?
I have never done anything like
that before, but upon consulting my SM how-to books and websites, it seems
surprisingly easy and straightforward. When I was in middle school, the kids
used to stick straight pins through the top layer of skin on their fingers and
wave them around. It was gross but no one ever got hurt. It's basically the
same principle. I tell him yes, as soon as I can get the proper equipment.
I find an online seller
specializing in medical fetish gear, and order a box of Terumo needles, a
hundred in assorted sizes, along with a box of alcohol wipes and a box of surgical
gloves. While I'm looking around the site, I also add some plastic scissor type
clamps and a Wartenberg wheel, a small stainless steel pinwheel type device
that used to be used to test nerve sensitivity.
A week later, the package arrives
in the mail. I tear it open eagerly. The needles are not exactly what I
expected. I guess I was picturing something like a straight pin, but these are
meant to be used with a syringe--they are hollow with a plastic connector at
the bottom. The whole idea with needle play is to poke the needle in and out
through the top layer of skin only. If you do it properly, there shouldn't be
any blood, and the pain is minor, but the repeated pricks will eventually
create an endorphin rush. The key is to keep everything as clean as possible,
which is what the gloves and alcohol wipes are for, and why each needle has to
be sterile and used only once. I guess this is the only kind of sterile needle
there is, but the hollow part does make me a little nervous.
My how-to book recommends practicing
first on an orange to get the hang of guiding the needle in and out at just the
right depth. I don't have any oranges so I practice a few times on a red plum.
I take a picture of the box of needles with the plum sitting in front, a single
needle of the smallest gauge jabbed through its red flesh. Then I send an email
to The Mantis that consists of only the photo and the subject line
"Terumo." He writes back with just one word:
When?
He comes over late on a weeknight,
the only time I don't have work or rehearsal. I show him the box of needles and
his eyes glitter with excitement.
"Ooooh, it's gonna
hurt," he says with nervous anticipation.
"Are you sure you want to do
this?"
"No. I mean yes. Come on,
let's just start before I change my mind."
He wheels to the bedroom and as I
watch, he transfers to the bed and unbuttons his shirt, all the while staring
at me with that sub boy look I find so irresistible. Like he's scared but
trusting, and so turned on.
I put on my sexy vinyl nurse
outfit. It's still a bit stained with body paint from Halloween last year, but
it doesn't matter. I snap on the rubber gloves, trying to look intimidating.
"Lie down," I order, and
flip on the bedside light. With the rubber gloves on, I rip open the packet and
take out an alcohol wipes and rub it on his upper chest. Then I select a needle
with a flourish, and tear open the wrapper with as much drama as I can muster.
I pop off the plastic cap and save it carefully on the bedside table for
disposal later.
Now comes the hard part. The
bigger gauge needles hurt more, so for the first time I have selected the
smallest gauge, a thin, almost dainty needle with a green plastic base and an
angled tip, terrifyingly sharp. I aim at the spot where I rubbed the alcohol.
We both hold our breath as I slide it in and out the top layer of skin, the way
you might if you were sewing and holding the fabric together with straight
pins. Getting the angle just right is tricky, so that it's deep enough to stay
in place but not too deep. I do a few more, neatly lined up along his pecs, on
either side of the breastbone. Once I have inserted four needles on each side,
I pause to check how he's doing.
The endorphins have started to
kick in, and he just nods, a little glassy-eyed. His pupils are huge. I'm
feeling rather light-headed myself, but I'm enjoying this fake medical play. I
run my gloved fingers over his chest, gently poking at where his skin is
stretched over the parallel needles. He groans a little.
But it's the Wartenberg wheel that
I find really satisfying. It's cool and a bit heavy, and it makes a squeaking
noise as I run the pinwheel over his skin. I run it all over his chest, his
nipples, then over the needles. His groans get louder. By now there are angry
little red spots where the needles go in and out of his skin.
"I need to check your
sensation," I say in my fake doctor voice, as I run the pinwheel down to
the level of his injury, just below his rib cage. "Tell me where you feel
it."
By running the wheel over and over
his lower chest and upper belly, learn that there's a band about an inch wide
where the sensation is all confused and strangely hypersensitive. I call it the
Interzone.
I tease him some more there, using
the wheel, then turn my attention back to his nipples and ears, still trying to
induce a nipple orgasm, but although he's clearly enjoying it, he doesn't go
over the edge.
After about an hour, I slide the
needles out, one after another. One of them was a bit too deep, and a tiny drop
of blood wells up. I wipe it away with an alcohol wipe.
"So how was it?" I ask,
as I snap the covers back on the used needles and put them in a plastic bag for
proper disposal later.
"Oh my god." He's still
just lying there limply. "That was fucking intense."
It's so good that he's back for
more less than a week later. When he takes his shirt off, I see two little
round bruises where I put one needle in too deeply.
"Oh no, I'm sorry!" I
say. "I promised no marks. I don't want to get you in trouble."
"It's ok, she's out of town
until the end of the month," he mutters, looking away. Glancing back up at
me with his big Mantis eyes wide, he says more boldly, "Mistress, please
punish me."
How can I resist?
I don't want to damage his skin
more than I already have, so I start with the clothespins instead, arranging
them artistically in even rows along the side of his chest and in an oval along
the underside of his upper arm. He winces sweetly as I yank each one off.
Once I have removed all of them, I
lick his nipples and ears, and we roll around and kiss, but this is not enough.
"Please," he begs,
"the needles..."
"It' not medically
advisable," I tease him. "You haven't recovered from last time."
"Please, Mistress!"
"Ok, but I'm going to use the
bigger ones this time."
His eyes grow wide with that
delicious mix of fear and anticipation.
I start with one small one,
pointing directly toward his nipple. Then I insert three more of the medium
gauge, so that all four needles are arranged in a circle around his nipple, the
sharp tips pointing inwards in a wicked wheel. I do the same thing on the other
side. The bigger size is clearly more painful, and he groans and hisses as I
slide them in. The target-like arrangement is pleasing, plus I avoid the places
where I pierced him last time.
Again, I use the pinwheel to run
all over his chest, going over his nipples and the inserted needles over and
over again. The squeaking of the metal, the little pins making slight
impressions in his soft skin, the little sighs he makes, it's all so delightful.
I sit on his face for a good long time before carefully sliding the needles
out.
This time I did a better job; even
with the bigger needles, there's hardly any blood. He thanks me profusely
before leaving.
I'm sitting at home alone on a
Saturday afternoon, just finishing up a late lunch, when Lulu calls.
"I have bad news," she
says, her voice strangely distorted and formal.
"What? What is it?" She
instantly has my full attention.
"My brother died."
I never met Lulu's brother,
although he lived with their parents, whom I have met a few times. In an oddly
composed, or maybe shell-shocked voice, she gives me the details, with some
further elaboration added over the next few days.
He wrecked his car, but apparently
it's not too clear exactly what happened. He was on his way home after studying
late and just went off the road, no one else in the car with him and no
indication that he was drunk or on drugs. He might have fallen asleep. He was
just twenty-one, not even graduated from college yet.
It's almost too horrible to
contemplate what Lulu and her parents are going through--the late night phone
call, never knowing the exact cause, the suddenness of it all. My heart aches
for all of them. I ask Lulu what she needs from me but she's not really sure.
She's at her parents' house just south of the city, and all their relatives and
friends are starting to descend from out of town.
With Lulu's permission, I drive
down to her parents' house and meet her there. Her mother and father,
grandmother, and a few assorted aunts and uncles are drifting about the well-appointed
open plan living/dining/kitchen area, looking stunned, haunted. We make small
talk drink wine and nibble on the trays of cholent and kugel that friends from
the synagogue have brought. Lulu's whole family and all their closest friends
are New York transplants. I feel like I could be in my own parents' house,
right down to the reproduction Marc Chagall prints on the walls, and populated
with parallel universe versions of all their friends.
As midnight approaches, Lulu's
mother takes an Ambien and is ushered off to bed. Her mother can be difficult
sometimes, but I'm impressed by how well she's holding up. Lulu and I go up to
her childhood bedroom and curl up in the bed together. As I hold her in the
darkness, she says,
"What happens after we
die?"
"I don't know," I say
honestly. We were both raised in the type of intellectual Judaism where
maintaining culture and tradition is the only important part; faith or believing
in god is optional. Judaism doesn't have much to say about the
afterlife--you're supposed to concentrate on this life. But anyway I gave it
all up a long time ago, now I really don't believe in anything.
Lying there, holding her in the
dark, hearing the anguish in her voice, I hate that I don't have a reassuring answer
for her. I feel like we're both lying together in the bottom of a well. What
the hell are we doing with our lives? Does it mean anything at all?
"I'm sorry," I tell her.
I wish there was something more I could do or say. I hug her tightly and
eventually we both fall asleep.
The next day, more family arrives,
as well as family friends from out of town, people she's known a lot longer
than she's known me, and that seems to help.
The rabbi shows up in the
afternoon and leads a short service in the backyard, all of us standing up
holding prayer books printed in Hebrew and English. A lot of our friends from
the Raser City Lyric Opera are there too, including all the Jewish members. Of
course Jews are overrepresented in the opera company, and we all sort of
cluster near the front of the group, holding prayer books--me, Ariel, the
gardener poet, and a few others. Non-Jewish friends are there too, Gretchen and
William and about a dozen other chorus members. Notably absent are Marty (half
a Jew) and Lulu's current boyfriend from J-Date (full Jew) currently traveling
for work.
The entire service lasts about
twenty minutes, and mostly consists of songs sung in Hebrew. Everyone is amazed
that I sing every word of every song.
"I thought you said you
weren't religious!" Lulu exclaims afterwards, over bagels and cold cuts.
"I said I'm not religious now," I clarify. "I had to go
to Hebrew school three times a week from kindergarten through high school, and
go to services every Saturday morning. It's all, like, deeply programmed in here."
I tap the side of my head.
"You should be a
cantor!" Ariel says.
"Absolutely not. I'm
culturally Jewish because I can't change how I was raised, but I have no
interest in ever practicing in any way." Lulu makes an unhappy face when I
say this, a face that I recognize from my parents and every member of their
synagogue, a face that says, you'll come
around someday.
I ignore her, but a thought suddenly
occurs to me. "You should be a
cantor, Lulu! It's a career in music but without the cutthroat competition of
show business."
Lulu rolls her eyes. "Yeah,
everyone keeps telling me that but I really don't want to, you know? It's the
kind of thing that's a calling. I just don't feel called."
"So what then, are you going
to try for an opera career like Suzanna?" Ariel asks.
"I don't know," Lulu
says with a sigh. "I don't know what I want to do, but now I feel even
more pressure to do something big. I mean, I'm the only one left to make my
parents proud." She starts to tear up, and I put my arms around her.
"It's ok, don't worry about
that now," I tell her.
The funeral is the next day, but I
don't go. Her brother had a lot of friends, but I never even met him--there
will be over a hundred people there. I'm not really needed. By this point some
of Lulu's other friends take over supporting her, so I head home.
In the following weeks, I continue
to field two and three hour phone calls nearly every day from Lulu, freaking
out over her boyfriend. He vacillates between pledging her his full support but
then not actually showing up to provide that support. They've only been
together for a month or so, and her intense grief is too much to put on what
had been a pretty casual relationship. He's too nice a guy to dump her because her
brother died and he can't deal, but he actually can't deal. I think this guy is
a lukewarm piece of shit who is making things worse for her by making promises
he has no intention of delivering on, but of course she's not ready to hear
that from me. So instead I just listen and make sympathetic noises as she
examines in excruciating detail the contents of each email and the possible
meaning of every missed call. She won't be the one to end it with him, so
things just drag on.
My own life continues on without
much change for the moment. The Mantis comes over for more torture by the Cruel
Mistress: the usual round of clothespins, needles, and the pinwheel. Maybe I
will make him wear the blindfold or the ball gag or both, or tie his hands and
tease him unbearably.
As he sprawls naked in my bed, I
sit at the foot, holding his skinny, atrophied, hairless legs. I pick up first
one leg then the other and put him through some range of motion exercises,
while he watches with a bemused expression.
I take one of his feet and press
it against my face, kissing it. I love that I can just do this kind of thing,
indulge my dev feelings, and I don't have to hide it. He grins widely as I run
my hands along his leg.
"You said, 'It doesn't smell
like a normal person's leg,'" he says in that funny tone of voice that he
uses when he's super turned on by the Mistress humiliating him.
I laugh. "I'm sorry! I just
blurted that out. I didn't mean to be rude."
"No, I like it," he
says. "I'm not a normal person." He laughs too.
I had no idea when I said it that
he would take it as another form of erotic humiliation, but I'm glad it worked
out that way.
"You're right! You're not a
normal person," I say, crawling up the bed sinuously, like a cat.
"You're a dirty pervert!" We wrestle around in the bed and I pull him
on top of me, his legs flopping over as he leans over me supporting himself
with his arms.
"Well, what are you waiting
for?" I demand, giving him a little shove on the shoulder. He takes the
cue and pushes himself down in the bed until his face is between my thighs, his
legs bent up beside him.
It's kind of a cliché that SCI
guys are good at oral sex, but The Mantis is spectacular. Just like really
fucking amazing. I lay back and enjoy it. As he goes down on me, I spool
through my sexiest thoughts --the look and feel of his pale, thin legs as I
kissed them a moment ago, the look of delight on his face as I humiliated him. I
come over and over again, and it feels fantastic.
But even as I'm in the throes of
orgasmic rush, I can't help thinking, is this all there is to life? I mean, sex
is important, and I'm having some really fucking great sex right now. In fact I
think I've probably just had the most perfect orgasm of my entire life. But
shouldn't there be something more? How is it that I broke up with Skip and
ended up just like him anyway? It's not like I'm actively searching for guys
who don't want to commit. I was ready to be all in with William, who seemed
like the perfect catch, but somehow his situation is just as complicated as
these other dudes and not looking for a relationship. And I'm leaving town
anyway. Ugh, this sucks!
So I'm trying to fuck like a guy,
just enjoy it and not feel attached but I'm secretly afraid I'm not very good
at it. I have to keep reminding myself not to get too close to The Mantis. I
want to tell him what's been going on in my life lately, about Lulu and William
and Atom and Warren and all of it, but I think it's better not to confide in
him.
After he finishes me off, we both just
lie there on my bed for a while, not saying anything.
